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Showing posts with the label landscape
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 mountains . watercolor on paper 28X36 cm    Ideas in Creation Every human creation, every application, everything crafted by human hands is driven by ideas. These ideas shape the outcome and the practical solutions. Ideas are generated by creators, scientists, engineers, and individuals from all walks of life, with the aim of addressing immediate or long-term problems or needs. In the specific realm of art, ideas focus on the content of the work and the resolution of practical challenges across various media. Ideas may gain widespread acceptance, fade for a period, sometimes resurfacing in different times, or be overshadowed and forgotten as new ideas emerge and push them aside.The idea of painting the world in a way that creates a three-dimensional optical illusion, particularly through the use of linear perspective, was developed and formalized in the early 15th century in Italy, notably by Filippo Brunelleschi, and gained deep traction in Europe. Paintings that mi...
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landscape 35X50 cm on paper . watercolor painting . What is my painting? I look at the landscape, and each time anew, I must remind myself of the simple, yet not obvious, fact that when I compare it to the painting I will create—not of the landscape itself, but inspired by it or in relation to it—it will essentially be the landscape from my own world. The dimensions I will introduce with color, and where there is no color, the lines, the stains, the way they are applied. On one hand, this is so simple and resolved for me, yet on the other hand, this matter returns to me every time anew: how much the external world is ingrained in me, and how much I must create my own world each time anew to overcome it. Because the external world persists, while my own world must be created from zero to one hundred each time anew. In this sense, the painting is not a picture as a final product but a one-time, experiential, intellectual, and emotional formulation of my world in an artistic medium . I...
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  landscape   watercolor on paper 35X50 cm  
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  spring time . acrylic painting 35X55 cm on carboard   Painting is  extension of creativity, conceptual thought and imagination.  
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  the road to Galed . watercolor on paper 28X36 cm on paper  at  spring time  the hills and the Valleyes in Ramat Menshe become yellow due to its wheat fields . so many colors also of the flowers , after the winter rains makeing the place so colorefull. 
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 watercolor on paper 28x36 cm  the way to Tzofit.   A Good piece of art is the  one that communicate to you and you want to answer back.  art should walk half way toward the observer, and the rest of the way he will have to walk by himself.
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 Field . ink and watercolor painting 35X50 cm on paper  fields allways intersted me. mostly we look at fields from a distance, we love to see them as  part of a landscape view. it is an external view that fixate our idea about the beauty of fields. they have structure and color. but when we examine field from within it take a whole new turn of how things looks like. a view point can have a power of its own when you change positions to look from at something. it reveal so many new things.  
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 Beit Netofa Valley  a watercolor painting on paper 28X36 cm  one of the most beautifull valleys in israel.  עמק בית נטופה 
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  watercolor with ink on paper 35X50 cm  landscape  
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 watercolor on paper 28X36 cm  2022 landscape in Wadi Ara.  this landscape in Wadi Ara is close to where i was born . in a kibuts in the enterance of the Wadi , all the way is hill on the sides with mainly arab villages and towns. i love the colors of those places. 
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 landscape  watercolor with ink on paper 26X36 cm  israely landscape is something i feel inside me from childehood. 
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 landscape with trees watercolor with ink on paper 28X36 cm 
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stary Moon rise over  a lonley landscape ink drawing on paper . 26X38 cm מראה הנוף הוא תוצר של ראייתנו כשאנו עומדים במקום כלשהוא ומביטים קדימה אל האופק המאוזן בדרך כלל ורואים בו עצים, סלעים, בתים, ים וקפלי קרקע בצורה כזו או אחרת וכל מה שנגלה לעינינו במאה ושמונים המעלות בשדה הראיה שלנו. התמונה שאנחנו רואים מכילה את כל הפרטים שיש בו ואנחנו מחליטים כיצד לבנות מהמראה הזה את הציור או הרישום . מה שנגלה לנו לעין הוא במסגרת הראיה שלנו המבוססת על אופטיקת העין הרואה בצורה תלת מימדית עם גוונים של צבעים ואור וצל בפרספקטיבה שהיא חלק מתלת המימד. מאחר ולכולנו יש עיניים עם מכניזם דומה מה שנראה יהיה דומה למה שאחרים יראו אם נעמוד באותו מקום גם אם נשים לב לאלמנטים שונים בנוף ונעריך אותם ביחס לאלמנטים אחרים בצורה שונה. אך נוף הוא גם מושג והוא כולל בתוכו גם את הנוף הפנימי שנרצה לברוא בעולם שלנו שאינו בעל עיניים פיזיות אלא נוצר כמראה דימיון חד פעמי המבטא את מימדים ואלמנטים פנימיים באותו נוף כפי שנברא בחוויה הפנימית שלנו מבלי להיות תלויים בנוף החיצוני לנו. נהיה משוחררים מהיחסים בין העצמים בנוף הפיזי והב...
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  My country full of light . Acrylic painting 55X40 cm on chromo paper  
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  Acrylic painting 70X55 cm on chromo paper " in the country side " a joyfull day of long walk at spring time, in the Sharon area , a season with vivid colors and green fields . 
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 This watercolor i painted 15 years ago . it is a 28X38 cm on watercolor paper . an Israeli  landscape. of mountains, trees, and a Cypress which is very common to israel and the mideast landscapes . in landscape painting you should give your self the freedom to create it the way you want rather to adhere to the realistic view. it should be minimal in the use of colors, using the white of the paper as color. watercolors are hard to paint since they are not to be corrected. like chess, you made your move. however this the technique i love the most.  את ציור צבעי המים הזה עשיתי בערך לפני 15 שנה. נוף ישראלי של הרים ועצים , ברוש שהוא מאד שכיח בישראל ובמזרח התיכון. בציור נוף אתה צריך לתת לעצמך את החופש ליצור באופן שאתה רוצה יותר מאשר להצמד למראה ראליסטי. זה יכול להיות באמצעות שימוש מינימלי בצבעים, להשתמש בלבן של הדף כצבע. צבעי מים הם קשים לציור שכן אין יכולת לתקנם. כמו בשחמט, נגעת נסעת ואין חזרה. אולם את הטכניקה הזו אני אוהב הכי .
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 T his creation i called " the world of a man ".  a 28X39 cm  watercolor painting with black ink,  Space could be objective , the one we all share and see in our eyes. space could also be subjective , the one we look at  and create individually.  artists are highly aware of their own space and how to create space on the painting board that will reflect their view on life in their own eyes. the world we see is agreed upon by society and  culture and we use it for mutual survival.   the creation of our own space is subjective and has endless possibilities since humans are so different from one another and they can create anything they like. creation allways need space of one kind or another.  Artists can represent their creation in mutual space by paintings for instance . for me the world is colorful, changing, moving,    The growth of things in nature are part of my inspiration and my own imagination and  combine new things....
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 this is 40X55 cm watercolor with ink brush i have painted recently, describing my emotions and thought on my country landscape. Israel and the mideast are warm countries, with sun shine most of the year, blue sky, penetrating light that make colors strong and bright. i did put some green places but on general you may see strong light and hot colors. impression on landscape is a summation of thought and emotions in aesthetics .  את ציור צבעי המים הזה ציירתי לאחרונה עם צבעי מים ודיו שחור. הוא מתאר את הרגשות שלי והמחשבות לגבי נופי הארץ שבה אני חי. ישראל וארצות הים התיכון הן ארצות חמות, עם שמש זורחת רב השנה. שמיים כחולים ואור חודר היוצר צבעים חזקים ובוהקים. השתמשתי גם במעט ירוק אבל באופן כללי ניתן לראות אור חזק וצבעים חמים , התרשמות לגבי נוף באופן מסוכם על ידי מחשבה ורגש באופן אסתטי.
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 40X56  cm watercolor with ink brush on 300 grm fabriano paper. landscape of desert scape with three palms .  An artist stands in every generation between the past and the future. So is art. Many of the forms and styles we see in museums are from artists and art movements of the past, many of which become a part of us so deeply because we have seen them from childhood to adulthood time and time again. They were adopted by our parents, and our culture. We are influenced by them and they accompany our culture throughout the centuries. We can see that each generation of artists tries to shake up the old artistic conventions and invent new forms, new ways of describing the world around us, bringing new ideas as well as perspectives that were not there before. Future generations will grow and develop with their art, as part of the changing culture, and will want to invent new forms arising from new ideas. Artists always want to do what is required for their art and what seems...
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 This 40X55 cm painting i did on a paper with ink , and watercolor.  The subject is "Sabers" in the Israeli landscape which is a common cactus on the roadsides in Israel. Next to them are olive and oak trees and other trees typical of our landscape with a blue sky which is a very significant element of the Israeli landscape. In the summer, the light we have is bright and bright for half a year and very hot, which affects the colors that reach our eyes. Ocher and brown, orange and yellow from the extreme dryness are also characteristic of this landscape. את הציור הזה עשיתי על נייר אקוורל עם דיו וצבעי מים. הנושא הינו "סברס" בנוף ישראלי שהוא קקטוס נפוץ בצידי הדרכים  בישראל. לצידם עצי זית ואלון ועצים אחרים האופייניים לנוף שלנו עם כחול שמיים שהוא מרכיב משמעותי מאוד בנוף הישראלי. בקיץ האור שיש לנו בהיר ובוהק במשך חצי שנה ומאד חם מה שמשפיע על הצבעים המגיעים לעינינו . גם אוקר וחום, כתום וצהוב מהיובש הרב אופייני לנוף הזה.