fields . watercolor on paper 35X50 cm When you look at a painting, what you see is not what I painted, but what you created when you looked at it.
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mountains . watercolor on paper 28X36 cm Ideas in Creation Every human creation, every application, everything crafted by human hands is driven by ideas. These ideas shape the outcome and the practical solutions. Ideas are generated by creators, scientists, engineers, and individuals from all walks of life, with the aim of addressing immediate or long-term problems or needs. In the specific realm of art, ideas focus on the content of the work and the resolution of practical challenges across various media. Ideas may gain widespread acceptance, fade for a period, sometimes resurfacing in different times, or be overshadowed and forgotten as new ideas emerge and push them aside.The idea of painting the world in a way that creates a three-dimensional optical illusion, particularly through the use of linear perspective, was developed and formalized in the early 15th century in Italy, notably by Filippo Brunelleschi, and gained deep traction in Europe. Paintings that mi...
landscape 35X50 cm on paper . watercolor painting . What is my painting? I look at the landscape, and each time anew, I must remind myself of the simple, yet not obvious, fact that when I compare it to the painting I will create—not of the landscape itself, but inspired by it or in relation to it—it will essentially be the landscape from my own world. The dimensions I will introduce with color, and where there is no color, the lines, the stains, the way they are applied. On one hand, this is so simple and resolved for me, yet on the other hand, this matter returns to me every time anew: how much the external world is ingrained in me, and how much I must create my own world each time anew to overcome it. Because the external world persists, while my own world must be created from zero to one hundred each time anew. In this sense, the painting is not a picture as a final product but a one-time, experiential, intellectual, and emotional formulation of my world in an artistic medium . I...
Endlesness. watercolor on paper 35X50 cm art as a proccess . The art of the West views the artwork as a product. It is a painting hung on a wall or in a church for contemplation. It has a purpose, serves a message, and is expected to be a three-dimensional illusion . This is how we were all taught about art. You are judged by the final result, the finished painting commissioned and paid for by the church or a wealthy family that funded it. The client is not interested in the process; they paid for the result. But in painting, there is a process, and there are artists and cultures that emphasize the act of painting as a spiritual activity no less important than the outcome. In Chinese and Japanese cultures , the spiritual act inherent in painting was no less significant than the final goal—the painting itself. In the West, this idea emerged at the beginning of the 20th century. Artists abandoned realistic, illusionistic oil paintings and created more abstract, two-dimensional work...
a woman on a bench. watercolor ink painting 35X50 cm on paper בעת שאנחנו יוצרים, היצירה הופכת לממשית יותר מהעולם סביבנו. היא מנצחת את הזרימה הלא נגמרת של אותות חושיים, מסרים, תכנים, רעיונות וכל דבר המשפיע עלינו מהעולם סביב. עוצמת הממשות שלנו באותו הרגע חזקה יותר מהכל. במקום לקלוט מסרים מהחוץ, אנחנו אלו המכתיבים את הממשות שלנו לעולם באמצעות המדיה האמנותית. As we create, the creation becomes more real than the world around us. It triumphs over the endless flow of sensory signals, messages, content, ideas, and everything that impacts us from the surrounding world. The intensity of our reality in that moment is stronger than anything else. Instead of absorbing messages from the outside, we are the ones shaping our reality for the world through artistic media ...
the three captives, ink on paper 35X50 cm ths ink drawing i made while watching on Tv three men , between 34 years old to 60 years old coming back from captivity of Hamas one year and a half after kidnapping them and holding them in tunnels with no light and starvation conditions coming home like prisoners so thin and weak and that reminded me of concentration camps. one of them lost his wife as she was murdered , the other lost his wife and 2 kids. the lucky one had waiting for hims his wife and 3 doughters,.
Field . ink and watercolor painting 35X50 cm on paper fields allways intersted me. mostly we look at fields from a distance, we love to see them as part of a landscape view. it is an external view that fixate our idea about the beauty of fields. they have structure and color. but when we examine field from within it take a whole new turn of how things looks like. a view point can have a power of its own when you change positions to look from at something. it reveal so many new things.
that post war forest no one talk about 35X50 cm on paper ink drawing our country is in war for a long time. how it effect people from both sides, what forest they take a walk after war, and what will they see there . mothers, children, soldiers, widows, elderl people who were invloved. usually trees calm those who walk in their shadows. but not after wars.
the effect you created. The white painting surface, I sit in front of it and there is nothing on it. It simulates the void. I move my hand, I create an effort, use a brush or charcoal, an idea comes to me in my imagination, sometimes complete and sometimes in the form of an undefined energy . that energy that passes to the surface. An effect is created on the paper. Any shapes, colors, black, white, and the effect created is no longer mine. It exists on the surface in its own right. It exists in the world of reality which is everyone's world. Maybe someone will come and see it, maybe I will upload it on the social network, and whoever sees the work will remember it at least for a short time, maybe express an emotion towards it. It's already in a playing field that is not mine anymore. The...
