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 internal landscape ink drawing 28X36 cm  Landscape is typically perceived by us as something external. We stand on a mountain or a plain or above a valley, or on a seashore, and we see the horizon line, or trees, bushes, the outlines of ravines and rocks, and clouds in the sky—and that is the landscape. And we choose a segment of the landscape and paint or photograph it. When we look at a flower, we see it from the outside and grasp its form with the petals, the center of the flower . In the case of the fig, for example, the fruit is actually a flower. It is enclosed inward. And landscape? It is possible to paint an internal landscape—one that is turned inward and creates a world of its own. נוף מצטייר   אצלנו כמשהו חיצוני. אנחנו עומדים על הר או מישור או מעל עמק, או על חוף ים ואנחנו רואים את קו האופק או עצים ,שיחים, שרטוטי גאיות וסלעים ועננים בשמיים וזה נוף. ואנחנו בוחרים מקטע נוף ומציירים או מצלמים אותו. כשאנחנו מביטים בפרח אנחנו   רואים אותו מבחוץ ותופסים את הצ...
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 Entropy .watercolor on paper 29X39 cm  creativity need change. you cant use the same energy you produced yesterday. so when you dont change anything as viewpoint or curiocity factor you start imitating your previous energy . and that is no longer a creation in the present. when you start your day in the studio ask your self what is my energy today and what is my awareness today and it will dictate your NOW creativity. you had great day yesterday and you made beautifull piece of art but today is a new unit of time. 
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 Commotion . ink and watercolor on paper 35X50 cm i love commotion. it seems like confused randome motion. but it isnt. every thing takes its place and works together. 
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  fields . watercolor on paper 35X50 cm  When you look at a painting, what you see is not what I painted, but what you created when you looked at it.
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 mountains . watercolor on paper 28X36 cm    Ideas in Creation Every human creation, every application, everything crafted by human hands is driven by ideas. These ideas shape the outcome and the practical solutions. Ideas are generated by creators, scientists, engineers, and individuals from all walks of life, with the aim of addressing immediate or long-term problems or needs. In the specific realm of art, ideas focus on the content of the work and the resolution of practical challenges across various media. Ideas may gain widespread acceptance, fade for a period, sometimes resurfacing in different times, or be overshadowed and forgotten as new ideas emerge and push them aside.The idea of painting the world in a way that creates a three-dimensional optical illusion, particularly through the use of linear perspective, was developed and formalized in the early 15th century in Italy, notably by Filippo Brunelleschi, and gained deep traction in Europe. Paintings that mi...
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landscape 35X50 cm on paper . watercolor painting . What is my painting? I look at the landscape, and each time anew, I must remind myself of the simple, yet not obvious, fact that when I compare it to the painting I will create—not of the landscape itself, but inspired by it or in relation to it—it will essentially be the landscape from my own world. The dimensions I will introduce with color, and where there is no color, the lines, the stains, the way they are applied. On one hand, this is so simple and resolved for me, yet on the other hand, this matter returns to me every time anew: how much the external world is ingrained in me, and how much I must create my own world each time anew to overcome it. Because the external world persists, while my own world must be created from zero to one hundred each time anew. In this sense, the painting is not a picture as a final product but a one-time, experiential, intellectual, and emotional formulation of my world in an artistic medium . I...
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  Endlesness. watercolor on paper 35X50 cm art as a proccess . The art of the West views the artwork as a product. It is a painting hung on a wall or in a church for contemplation. It has a purpose, serves a message, and is expected to be a three-dimensional illusion . This is how we were all taught about art. You are judged by the final result, the finished painting commissioned and paid for by the church or a wealthy family that funded it. The client is not interested in the process; they paid for the result. But in painting, there is a process, and there are artists and cultures that emphasize the act of painting as a spiritual activity no less important than the outcome. In Chinese and Japanese cultures , the spiritual act inherent in painting was no less significant than the final goal—the painting itself. In the West, this idea emerged at the beginning of the 20th century. Artists abandoned realistic, illusionistic oil paintings and created more abstract, two-dimensional work...
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